Behind the Brush

 

 My abstractions derive through a “less is more” directive. I endeavour to let the art making process become a transient experience so that my aesthetic can acquire its own visual iconography; an extension of my Sri Lankan identity and cultural heritage. My resin process generates an entirely new visual language that is electric and colourfully iconic. The visual congruence between Sri Lankan tradition and abstraction, generates an event in which the artist is both the creator and spectator.